J. Stuart Blackton

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J. Stuart Blackton

Post  tranthuongbn on Mon Dec 27, 2010 8:28 pm

Blackton ended up as a reporter/artist for the New York Evening World newspaper. In 1896, Thomas Edison publicly demonstrated the Vitascope, one of the first film projectors, and Blackton was sent to interview Edison and provide drawings of how his films were made. Eager for good publicity, Edison took Blackton out to his "Black Maria", the special cabin he used to do his filming, and created a film on the spot of Blackton doing a lightning portrait of Edison. The inventor did such a good job selling the art of movie-making that he talked Blackton and partner Smith into buying a print of the new film as well as nine other films, plus a Vitascope to show them to paying audiences (Reader was brought back in to run the projector).
The new act was a great success, largely despite the various things Blackton and Smith were doing between the Edison films. The next step was to start making films of their own. In this way the American Vitagraph Company was born.
During this period J. Stuart Blackton was not only running the Vitagraph studio, but also producing, directing, writing, and even starring in his films (he played the comic strip character "Happy Hooligan" in a series of shorts). Since profits were constantly increasing, Blackton felt that he could try any idea that sprang to his head. In a series of films, Blackton developed the concepts of animation.
The first of these films is The Enchanted Drawing, with a copyright date of 1900 but probably made at least a year earlier. In this film, Blackton the lightning artist sketches a face, cigars, and a bottle of wine. He appears to remove the last drawings as real objects, and the face appears to react. The "animation" here is of the stop-action variety (the camera is stopped, a single change is made, and the camera is then started again) first used by Méliès and others.

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Re: J. Stuart Blackton

Post  heroisthai on Wed Dec 29, 2010 1:47 pm

Blackton ended up as a reporter/artist for the New York Evening World newspaper. In 1896, Thomas Edison publicly demonstrated the Vitascope, one of the first film projectors, and Blackton was sent to interview Edison and provide drawings of how his films were made. Eager for good publicity, Edison took Blackton out to his "Black Maria", the special cabin he used to do his filming, and created a film on the spot of Blackton doing a lightning portrait of Edison. The inventor did such a good job selling the art of movie-making that he talked Blackton and partner Smith into buying a print of the new film as well as nine other films, plus a Vitascope to show them to paying audiences (Reader was brought back in to run the projector).










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